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omenwoman

devoutfashion:

Photography: Caleb Wilson, Stella Simona
Styling: Jennifer Dawn
Model : Sharri Sutton

(via android-ink)

abstractelements:

shani, 2013

(via android-ink)

ankhfyre:

5centsapound:

Maïmouna Patrizia Guerresi 

As a photographer, sculptor, and installation artist, ‘Maïmouna’ Patrizia Guerresi reveals unique and authentic sensibilities in her narration of the beauty and subtleties of racial diversity and multiculturalism. Over an established career, she has developed her own symbolism, which combines cosmological and ancestral traditions belonging to various European, African, and Asian cultures. Her personal commitment to Baifall Sufism has led her to produce an aesthetic that is able to bridge time, space and civilisations, as well as figuration and abstraction.

The human body is seen as the nucleus and temple of the soul, a place that houses a delicate, higher awareness; the very conduit for encompassing natural and cosmic forces. More about mysticism than any singular religion, her work is visionary in that it restores those elusive qualities of sacredness and unity in our frequently dehumanising and fragmented contemporary visual world. Her classic iconographic style explores the universality of human experience and reclaims the often hidden nurturing powers of feminine energy. Presented as a kind of free flowing epic, the viewer is left to read the significance of her imagery and quietly meditate on its potential to personally engage with its audience. As if her figures were speaking directly to each one of us.

From her earliest experiments with the physicality and archetypal imprinting of the psyche, through to her latest, evermore metaphoric ‘inner constellations’, Maïmouna insists on a cross-cultural discourse and an expansion of the boundaries that normally dictate our individual attitudes. She invites us to see further and to look deeper – past skin colour, preconceptions, and ethnic landscapes – into the wider paradigm of inclusion. She leads us through apparently simple notions of dimensionality into the exquisite, mystical and fragile complexities of life from within. - Rosa Maria Falvo

Living Art!!!

(via sebastiankmtco)

wildseedwellness:

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DONATE AT INDIEGOGO.COM/AT/COMMUNITYCARE

so important!

The jam.

Funkadelic - Can You Get To That.

maidsofbondstreet:

Zhang Xu for Kimberly Ovitz, spring 2011

dansphalluspalace:

yagazieemezi:

Ali Golzad - Invisible People

cardboard as an art medium?

fucking genius.

(via searchingforknowledge)

artcomesfirst:

Self Portrait - Kimiko Yoshida
nationalgeographicdaily:

Islanders Crabbing at Night, Samana Cay, BahamasPhoto: James L. Stanfield
jordanvkifer:

MALUCA
vintageblackglamour:

Marian Anderson, the elegant and groundbreaking contralto who was the first African American to sing at the Metropolitan Opera, was born 116 years ago today in Philadelphia. She is probably best known to this generation for singing before a crowd of 75,000 at the Lincoln Memorial in 1939, after being refused permission to sing at Constitution Hall by the Daughters of the American Revolution. DAR has made the effort to make up for the slight ever since, inviting Ms. Anderson to sing at the hall on many occasions soon after the infamous 1939 incident. In this photo, Ms. Anderson is shown arriving at Victoria Station in London on November 11, 1936, for her performance at Queen’s Hall. Photo: Bettman/Corbis